The Halide Project was founded in 2015 to support the continued practice and appreciation of alternative and historic process photography. Located in Philadelphia, we serve both the local and global communities by providing artists with exhibition opportunities, affordable workspace, educational programming, and other resources.

Living Image showcases contemporary artists working in alternative and historic process photographic techniques. This year’s exhibition opens on February 15 and will be on view through March 30.

2025 Featured Artists

Rebekah Alviani

Samantha Barthelemy

Matthew Beniamino

Terry Branick

Sally Chapman

Alina Chirila

Chuck Davis

David Dranoff

Dora Duan

Bruce Dunbar

Christine Elfman

Dominique Ellis

Jorge Escobar

Evan Foster

Dilmar Mauricio Gamero Santos

Vicky Gewirz

Francisco Gonzalez Camacho

Rachel Guardiola

Miles Henderson

Kris Johnson

Cristian Latorre

Jillian Abir MacMaster

Fruma Markowitz

Chris May

Jacob McGuinness

Nika McKagen

Emlyn Mileaf-Patel

Ann Mitchell

Parker Phelps

Bethany Riley

Stephanie Slate

Zoe Smith

Tom Wise

Juror Bio: Adam Finkelston is an artist, educator, and publisher based in Prairie Village, Kansas. Mr. Finkelston’s work has been exhibited in several solo and group exhibitions and is included in publications on alternative process photography by notable authors, Jill Enfield and Christina Z. Anderson. Mr. Finkelston has taught art at various levels for since 2004. Currently, he is a teacher and visual arts department coordinator at Shawnee Mission East High School in Prairie Village, KS and a guest lecturer in printmaking at the Kansas City Art Institute. In addition to teaching, Mr. Finkelston is the owner and publisher of, The Hand Magazine: A Magazine for Reproduction-based Arts, through which he has curated and juried numerous exhibitions. Mr. Finkelston’s work encompasses both printmaking and photography.

Founded in April 2013, The Hand Magazine is based in Prairie Village, Kansas. It is owned, published and co-edited by Adam Finkelston with James Meara as lead designer and co-editor. Together, Finkelston and Meara curate each quarterly issue from submitted images from around the world. The Hand Magazine is dedicated to the support and exhibition of hand-made artworks using mechanical or reproduction-based processes. “The Hand” is about connecting artists, serving as a resource for artists and enthusiasts, and building bridges across creative communities. More information is available on the magazine website: http://www.thehandmagazine.wordpress.com